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Education Teaching Selected Lectures and Panels Solo Exhibitions Selected Group Exhibitions Published Artwork Publications Selected Public Collections Published Writings Other Professional Activities
Education MFA, School of the Art Institute, Chicago, Illinois, 1989 BFA, Cornell University, Ithaca, New York, 1985
Teaching Associate Professor with Tenure and Chair of the Painting and Sculpture Program, University of Illinois at Urbana-Champaign since 2003 Assistant Professor, University of Illinois at Urbana Champaign, 1997-2003 Adjunct Faculty, Valparaiso University, Valparaiso, Indiana 1994-1997 Visiting Lecturer, Northwestern University, Evanston, Illinois 1997 Visiting Artist, University of Chicago, Chicago, Illinois 1996 Part-time Visiting Faculty, School of the Art Institute, Chicago, Illinois 1993
Selected Lectures and Panels Montalvo Center for the Arts, Saratoga, California Cornell University, Ithaca, New York Otis College of Art and Design, Los Angeles, California ew York Academy, New York, NY Addison Gallery of American Art, Andover, Massachusetts Contemporary Arts Center, Cincinnati, Ohio Brauer Museum of Art, Valparaiso, Indiana Northwestern University, Evanston, Illinois University of Chicago Lake Forest College, Lake Forest, Illinois School of the Art Institute of Chicago Tarble Arts Center, Charleston, Illinois El Puente Academy, Brooklyn, New York Hyde Park Art Center, Chicago, Illinois Peter Miller Gallery, Chicago, Illinois Evanston Art Center, Evanston, Illinois State University of New York at Potsdam Associated Colleges of the Midwest, Chicago, Illinois
Solo Exhibitions 2005 2004 Paradise in Peril, Montalvo Gallery, Saratoga, California. June 27-August 29, 2004
Bazaar, Koplin Gallery, Los Angeles, California. November 2-January 4
Allegories of Excess, Koplin Gallery, Los Angeles, California. September 16-October 30
Paradise in Peril: A Survey of Work from 1990-1996, Evanston Art Center, Evanston, Illinois; catalog. January-March
Laurie Hogin: Paintings, Littlejohn/Sternau Gallery, New York, New York
Available in Wine, Juniper, Spice, Harvest, Teal and Rust, Peter Miller Gallery, Chicago, Illinois
Selected Group Exhibitions 2005 Sinister, curated by Chris Kahler, Tarble Museum of Art, Eastern Illinois University, Charleston, Illinois Scope, with Littlejohn Contemporary, London, England Gallery artists, Schroeder Romero, Brooklyn, New York Gallery artists, Peter Miller Gallery, Chicago, Illinois
Birdspace: A Post-Audubon Aviary, curated by David Rubin, Contemporary Art Center/New Orleans, January. Traveling show: Frederick R. Weisman Museum of Art, Malibu, California; Norton Museum, Palm Beach, Florida; McDonough Museum, Youngstown, Ohio; Polk Museum of Art, Lakeland, Florida; Iowa State University Museum of Art. Catalogue. Cave Canem, John Connelly Presents, New York, New York Current, Littlejohn Contemporary, New York, New York Metamorphosis, John Michael Kohler Arts Center, Sheboygan, Wisconsin
Gallery Artists, Littlejohn Contemporary New York, New York Gallery Artists, Schroeder Romero Gallery, Brooklyn, New York
Drawings IV, Koplin Gallery, Los Angeles, California Project Room, Littlejohn Contemporary, New York
Musings: Contemporizing Tradition, Gallery 312, Chicago, Illinois Re-Presenting Representation, Arnot Art Museum, Elmira, New York Once Upon a Time, Wustum Museum, Racine, Wisconsin Feather and Stick: Birds in Contemporary Art, Bennett Gallery, Knoxville, Tennessee Collaborative Fusion, curated by Adelheid Mers and Elisabeth Condon, 450 Gallery, New York, New York
Exquisite Corpse, Printworks Gallery, Chicago, Illinois Drawings V, Koplin Gallery, Los Angeles, California Out of Line: Drawings by Illinois Artists, Chicago Cultural Center, Chicago, Illinois Selections from Out of Line, Union League Club, Chicago, Illinois Recent Acquisitions, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln
Gallery Artists, Littlejohn Contemporary, New York, New York Referencing the Past Six Contemporary Artists, Addison Gallery of American Art, Andover, Massachusetts The End is Near, Wustum Museum, Racine, Wisconsin Exhibition Incommensurrate, Indiana University Gallery Northwest, Gary, Indiana Visual Feasting II, Suburban Fine Arts Center, Highland Park, Illinois Storytellers, Art Institute of Southern California, Laguna Beach, California
Animal Kingdom, New Jersey Center for Visual Arts, Summit, New Jersey. Dressup, Wustum Museum, Racine, Wisconsin
Contemporary Landscape: The Enigma of Reason, the Hyde Collection, Glens Falls, New York R Emote, Hyde Park Art Center, Chicago, Illinois Chicago-Indiana Connection, Brauer Museum of Art, Valparaiso, Indiana
Reality Bites, Kemper Museum, Kansas City, Missouri
Wild Life, California Center for the Arts Museum, Escondido; inaugural exhibition.
Gaia Coughs: The Awful Beauty of the Contemporary Environment, Cleveland State University Art Gallery, Cleveland, Ohio. (poster)
Urgent Nostalgia, Center on Contemporary Art, Seattle, Washington; curated by Prudence Roberts, curator of European and American Art, Portland Art Museum, Portland, Oregon. PETS, Wustum Museum, Racine, Wisconsin
15th Anniversary Benefit Auction, New Museum, New York, NY
Environmental Figuration, Illinois State Museum, Springfield
Institute of Chicago, and the Museum of Contemporary Art; presented at the Chicago Cultural Center
Published Artwork Harper’s Weekly, August 2003 Black & White Magazine, May 2002 Harper’s Weekly, March, 2001 Blueline, literary magazine published by the Department of English, SUNY Potsdam, February 1999 Notre Dame Review, published by the Department of English, University of Notre Dame, Indiana
Publications Amirrezvani, Anita, San Jose Mercury News, “Unsettling Images of Unnatural Wildlife”, August 23, 2004 Artner, Alan, Chicago Tribune, “Laurie Hogin’s Eye Turns to Social Discourse”, April 16, 2004 Honigman, Ana, Artnet.com “New York Horticulture”, March 30, 2004 Workman, Michael, New City Chicago, review of “Pathological Colours”, May 11, 2004 Auer, James, Milwaukee Journal Sentinel, review of “Metamorphosis”, March 2, 2004 The New York Times, citation for “Cave Canem”, February 16, 2004 Workman, Michael, New City Chicago, review of “After Whiteness”, October 16, 2003 Coleman, Caryn, feature article, Juxtapose, February 5, 2002 Honigman, Ana, Time Out New York, review of MIMIC, January 7, 2002 Yehya, Naief, Espectador (Mexico), review of MIMIC, December 11, 2001 Bayliss, Susan, The Boston Globe, interviewed for article “Our Monsters, Ourselves”, November 11, 2001 Silver, Joann, The Boston Herald, review of “Terrors and Wonders”, September 21, 2001 The New Yorker, Goings On About Town, September 25, 2000 Critic’s Choice, Time Out New York, September 7, 2000 Canning, Susan, Art in America, review, June 2000 Interview with Kristina Kozak, The Sentimentalist, Summer 2000 The New Yorker, Goings On About Town, December 20, 1999 Pagel, David, Los Angeles Times, review, “Fabulous Creatures”, October 8, 1999 Feldman, James, Art Issues, review, November/December 1999 Wiens, Ann, Dialogue, article, “Smart and Beautiful? Four Chicago Painters and the Aesthetic of Beauty” May/June 1999 Bulka, Michael, New Art Examiner, “Chicago’s Last Five Minutes of History: There’s Something Funny Going On” Oct. 1998 Holg, Garrett, Chicago Sun Times, article, “Art of the City”, March 22, 1998 Stein, Lisa, “In Art, Small was Better” Pioneer Press, Jan. 1 1998 Zimmer, William, review, “Metaphors for the Wilder Side of Human Life”, The New York Times, Jan. 11, 1998 Glatt, Cara, “In Counterpoint to what might be “cool”, Hyde Park Herald, Oct 22 1997 Wiens, Ann, review, New Art Examiner, May 1997 Porges, Tim, review, Dialogue, March/April 1997 Stein, Lisa, “Hogin’s Weird Creatures”, Evanston Review, Feb. 13, 1997 Newman, Howard, “A Paradise in Peril”, River North News, Feb. 8, 1997 Findsen, Owen, review, The Cincinnati Enquirer, Sept. 14, 1997 Artner, Alan, "Hogin's Horrors", Chicago Tribune, Jan. 1997 Weins, Anne, “Animal Magnetism”, New City, Jan.30, 1997 Hawkins, Margaret, “Hogin’s Humor Abundant in Political Paintings”, Chicago Sun-Times, Jan. 31, 1997 Snodgrass, Susan, article, World Art, Summer, 1996 Wiens, Anne, "Trouble in Paradise", Chicago Magazine, Dec. 1995 Artner, Alan, review, Chicago Tribune, Nov. 23, 1995 Melrod, George, "Openings", Art&Antiques, Apr. 1995 Fuller, Dr. Gregory, Endzeitstimmung, DuMont Buchverlag, Cologne, Germany, 1994 Green, Frank, review, Dialogue, March 1994 Tarzan-Ament, Deloris, review, Seattle Times, Sept. 16, 1993 Fishman, Ted, "1992's Top Art Shows", New City, Dec. 31, 1992 Patterson, Tom, "Paintings at the Mint: Traditional Style, Modern Theme", The Charlotte Observer, July 12, 1992 Fishman, Ted, "Feathers, Fur, Flesh", New City, Apr. 16, 1992 Artner, Alan, review, Chicago Tribune, April, 1994 Sherlock, Maureen, article, "Home Economics", Arts, Feb. 1992 Conn, Sandra, "Editor's Choice", Crain's Chicago Business, Aug. 26, 1991 Harper's, March 1991 Grabner, Michelle, review, Dialogue, Jan./Feb. 1991 Yood, Jim, review, Artforum, Dec. 1990 Hixon, Kathryn, review, Arts, Dec. 1990 Taylor, Sue, review, Art in America, Nov. 1990 Artner, Alan, review, Chicago Tribune, Sept. 20, 1990
Selected Public Collections Addison Gallery of American Art, Andover, Massachusetts Sheldon Memorial Art Gallery, University of Nebraska, Lincoln Brauer Museum of Art, Valparaiso, Indiana Illinois State Museum, Springfield, Illinois John D. and Catherine T. MacArthur Foundation Atlantic Richfield Company, Los Angeles, California Sandoz Corporation, Chicago, Illinois Gibson Gallery, State University of New York at Potsdam
Published Writings "On Beauty", New Art Examiner. Apr. 1994 "Painting 101" Art Papers, March/April 1995 "Heroic Measures", review of Heroic Painting, curated by Susan Lubowsky Talbot, New Art Examiner, May1998 Review of Michael Ashkin at Andrea Rosen Gallery, New Art Examiner, July 1998. Catalog essay for "...all we know of heaven", a show of five 1998 University of Illinois MFAs held at I-Space in Chicago, Illinois, July 1998 Poster statement for REMIX exhibition at I-Space, Chicago, Illinois, 2001
Other Professional Activities
Presenter and panelist, After Whiteness: Symposium on Race and the Visual Arts, with Tyler Stallings, curator, Laguna Art Museum, California; David Roediger, Professor of History at University of Illinois; moderated by Tim Engles, Professor of English, Eastern Illinois University. My paper was titled, “White Narcissus: Contemporary Visual Production and the Naturalization of Supremacy”. University of Illinois at Urbana Champaign, October 11, 2003 Artist in Residence, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, November 7-14, 1999 Artist in Residence, Oxbow, Michigan, July 2000 Moderator, REMIX discussion, January 2000 Panelist, The Art of the Figure in Contemporary Art, College Art Association Conference, February, 2001 Juror, Face-Off, Betty Rymer Gallery, The School of the Art Institute of Chicago, February, 2001 |
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